Showing posts with label Saxophone. Show all posts
Showing posts with label Saxophone. Show all posts

Thursday, February 3, 2011

"Take Five" performed by The Dave Brubeck Quartet



Factoids:
  • Written by saxophonist Paul Desmond (1924-1977) and premiered on The Dave Brubeck Quartet's album "Time Out" in 1959
  • How "Take Five" came to be...
    • Morello came up with an awesome 5/4 riff and Brubeck wanted Desmond to write a melody to go along with it
    • Desmond was thinking, "Um...I don't think so.  No one does 5/4 time."  But Brubeck insisted
    • Desmond came back a few days later and showed Brubeck what he came up with...2 small phrases
      • Brubeck smiled and said, "Ok. Well, play that first part twice, then the second part, and then repeat the first part again.  There's your song."
    • So the whole tune started with a small drum riff made up by Joe Morello (whereas most charts start with a melody)
  • Written in 5/4 meter
    • Although it wasn't the first jazz chart in the unusual meter, it was one of the most popular reaching #25 on the Billboard Hot 100 list
  • Desmond left all of the royalties for his compositions and performances to the American Red Cross which takes in about $100,000 per year
  • Artists of The Dave Brubeck Quartet:
    • Sax - Paul Desmond
    • Piano - Dave Brubeck
    • Bass - Gene Wright
    • Drums - Joe Morello

Bonus:
Check out another vocal rendition of "Take Five".  They use the lyrics written by Dave Brubeck's wife.

Tuesday, January 18, 2011

Straight No Chaser



History
  • Composed by Thelonious Monk (Piano) in 1951
  • Blue Note Sessions album
Factoids
  • This recording features Joshua Redman and James Carter
  • the head of the tune is very repetitious
    • 5 note motive starts before beat 1
    • 7 note motive before beat 4
    • everywhere else is a 4 note motive
  • 12 bar blues
  • originally recorded with Sahib Shihab (alto), Milt Jackson (vibes), Al McKibbon (bass), and Art Blakey (drums)
Redman and Carter’s “battle” throughout the chart is energy-packed and filled with virtuosic licks.  Listen to how their improvised lines compliment eachother